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Everybody's Girl [Audio CD] Jen Foster; Ken Lewis; Matt Rollings; Spencer Campbell; Craig Young; Chris Mosher; Jeff Brown; Glenn Rosenstein and Randy Bachman - Very Good
Everybody's Girl [Audio CD] Jen Foster; Ken Lewis; Matt Rollings; Spencer Campbell; Craig Young; Chris Mosher; Jeff Brown; Glenn Rosenstein and Randy Bachman - Very Good
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Very Good - USED Very Good: A well-cared-for video game, CD or DVD that has been played, but remains in great condition. The film is complete, without interruption, and does not skip. The box or jewel case may show limited signs of wear, as may the cover art, liner notes and inclusions. Please note that included codes (if applicable) may not be guaranteed to work.BOOK : This book is in very good condition, showing minimal signs of wear. The pages are clean with no markings, and the cover may have only slight shelf wear. There are no creases on the spine, and the book appears well cared for. It is a solid copy that presents well. Please note that included codes (if applicable) may not be guaranteed to work.
Here’s an earnest debut of honest songs sung earnestly by a talented young singer in the Joan Osborne/ Michelle Branch vein. Foster came to attention in 2001 when she won the "Great American Song Contest" in the pop category, and was a finalist in the "John Lennon songwriting contest" for her song "She"--a pleasant, straightforward tune about falling in love with another woman. There are a few standout tracks, but overall the album fails for trying too hard. The production uses samples but sounds curiously dated, and the whole project sounds like it was pieced together by a confused committee who didn’t know whether to go for the Dawson’s Creek crowd or the Melissa Etheridge demographic, so they opted for a strange middle-ground between the two. Foster’s singing, while a highlight throughout, is too overwrought too many times; she sounds like Alanis Morisette’s mom on a bad day on the annoying anthem "Superwoman." Here’s to hoping that she records her next album with just an acoustic guitar and a microphone. Foster doesn’t need all the bombastic studio trickery that clutters up and overwhelms this well-intentioned debut. --Mike McGonigalFEATURES
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