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Fantastic Four [Audio CD] Soundtracks & Original Casts and Various - Very Good
Fantastic Four [Audio CD] Soundtracks & Original Casts and Various - Very Good
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Very Good - USED - Very Good: A well-maintained video game, CD, or DVD that has been played but remains in excellent condition. The disc is fully functional, plays without interruptions, and does not skip. The box or jewel case, along with the cover art, liner notes, and other inclusions, may show only minor signs of wear. Please note that any included digital codes (if applicable) are not guaranteed to work. USED BOOK: This book is in very good condition, showing only minimal signs of wear. The pages are clean with no markings, and the cover may have slight shelf wear. The spine remains uncreased, and the book appears well cared for. It is a solid copy that presents well and is enjoyable to read. Please note that any included access codes (if applicable) are not guaranteed to work.
Amazon.ca There are four good reasons to pick up the Fantastic Four soundtrack. The first three are kinda buried in the middle of the CD--and they all happen to be new songs. First, there's "I'll Take You Down," a nifty rocker by a combo called T.F.F. Never heard of them? They're an ad hoc supergroup featuring the Distillers' banshee Brody Dalle, Yeah Yeah Yeahs' guitarist Nick Zinner, the Datsuns' singer-bassist Dolf de Datsun, and Jet's drummer Chris Cester. Second, Joss Stone's "Whatever Happened to the Heroes" is a lot better than its obvious title suggests; it's a rollicking, old-school rock-soul track namedropping Joe DiMaggio (a hero in Stone's native Devon?) and Marilyn Monroe. Finally, there's "Everything Burns," which sees former Evanescence guitarist Ben Moody collaborating with Anastacia on his first solo outing. It looks like an odd-couple combination but somehow it works--probably because Moody knows how to write bombastic power ballads. (It's certainly less icky than "Hero" from Spiderman.) The fourth good reason is the very last track: "Kirikirimai" is a hyperactive rock/hip-hop hybrid that introduces Japanese band Orange Range to the American market. The rest of the CD, which mixes new tunes and recycled ones, is surprisingly solid with muscular but melodic contributions from Velvet Revolver, Sum 41, Simple Plan, and Lloyd Banks's infectious "On Fire." Just try to get its organ riff out of your head. --Elisabeth VincentelliFEATURES
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