Brahms, Stravinsky: Violin Concertos [Audio CD] Stravinsky, Igor; Brahms, Johannes; Hahn, Hilary; Sir Neville Marriner and Academy of St. Martin in the Fields - Very Good

Very Good - USED Very Good: A well-cared-for video game, CD or DVD that has been played, but remains in great condition. The film is complete, without interruption, and does not skip. The box or jewel case may show limited signs of wear, as may the cover art, liner notes and inclusions. Please note that included codes (if applicable) may not be guaranteed to work.BOOK : This book is in very good condition, showing minimal signs of wear. The pages are clean with no markings, and the cover may have only slight shelf wear. There are no creases on the spine, and the book appears well cared for. It is a solid copy that presents well. Please note that included codes (if applicable) may not be guaranteed to work.

Amazon.ca Hilary Hahn is not only one of the best, but one of the most interesting young violinists before the public. Even as a teenager, she seemed uninterested in displaying her formidable technical mastery, concentrating instead on the music with a seriousness far beyond her years. Now 21, she has become a thoughtful, knowledgeable musician and an arresting, involved performer. Both qualities are reflected in this recording, beginning with the choice of the two concertos, which are entirely dissimilar--except for being in the same key--yet make an excellent pair, and extending to the program notes, which blend personal reminiscence and scholarly research. As for the playing, it is extraordinary. Technical difficulties do not exist. Even the most daunting passages, like the infamous G-major section in the Finale of the Brahms and the wild running-around in the Stravinsky, are dispatched with perfect clarity and consummate, effortless ease. Hahn's tone is intense, focused, variable, and of pristine purity in all registers, at all dynamic levels. She never loses her sense of meter or direction; her phrases have shape and elegance; and she needs no external effects. Her playing is austere and controlled, with an inward, noble expressiveness; she can change tone and mood on a dime. In the Brahms, the high soaring passages are ecstatic, the Finale is quite fast and very strict; only the Joachim cadenza is almost too free. Altogether, it's a most impressive achievement. --Edith Eisler Product Description Stravinsky, Igor

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